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Mostrando Videos 1-16 de 99.
En este Leye News: El panorama para México en los deportes no es muy bueno, ¿qué tan caliente es el sol?, los Jetpacks llegan y un práctico Leye Tip. No olvides suscribirte y compartirlo.
Leye News- México apestando en deportes/ Temperatura del sol/ Jetpacks!
Por: Leye Nedve
2015-07-01 15:30:17
Visto: 826 veces.
Leye News - Oprime para seleccionar.

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En este Leye News: Santos Campeón, Banamex deja fútbol, Blatter renuncia a 4 días de haber sido reelegido como presidente de la FIFA, Cosas que no sabías que caducan, ¿por qué vemos el sol amarillo? y un gran Leye Tip para separar la clara de la yema.
Leye News - Blatter renuncia FIFA/ ¿Por qué se ve el sol amarillo?/ ¿cómo separar clara y yema?
Por: Leye Nedve
2015-06-04 12:28:03
Visto: 780 veces.
Leye News - Oprime para seleccionar.

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En este Leye News: Querétaro y Santos a la final de la Liguilla, NFL quiere a México, datos curiosos que quizá no sabías de los ojos, ríamos con Encuentra el DUH y no dejes de presumirle Leye Kids a los pequeños.
Leye News - Lista la final Liguilla/ NFL y México/ Datos curiosos de los ojos
Por: Leye Nedve
2015-05-27 16:41:53
Visto: 806 veces.
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En esta emisión de Leye News: Los abuelos del fútbol mexicano, los expulsados de la jornada 9, tabla general, ¿tiene problemas el Cruz Azul? ¡VOTA!, no podrás creer lo bien que patina un perro, ¿será que ya viene Zoolander 2? y estrenamos Leye Kids: cuentos divertidos.
Leye News- Los expulsados jornada 9/ Un perro en patineta/ Zoolander 2
Por: Leye Nedve
2015-03-12 10:09:18
Visto: 759 veces.
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En esta emisión de Leye News: La nueva cara de Diego Armando Maradona, Tabla general de Torneo de Clausura 2015, Hugo Sánchez es considerado el mejor futbolista mexicano, La Curiosidad mató al dato y las mejores apps para despertar. También no te pierdas un mix de Vean Esto Por favor y Encuentra el DUH.
Leye News- Nueva cara de Maradona/ Apps para despertar/ La curiosidad mató al dato
Por: Leye Nedve
2015-03-05 11:38:36
Visto: 745 veces.
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Leye News- El Cruz Azul va en primero / Peleo con Jean Claude Van Damme. Qué hacer con un botón suelto y como controlar el enojo por hambre Además nos habla de los rayados de Monterrey y su nuevo técnico, ni mas ni menos que Antonio Mohamed el campeón con el América(eso no lo dice Leye , pero era importante recordarlo) En esta ocasión y hablando de la tabla de posiciones de la Liga MX nos comenta de la tabla de posiciones con el Cruz Azul a la cabeza y por ahí apareciendo los hongos del América En la sección Wow ¿Porque nos ponemos de mal humos si no comemos? y como controlarlo El Leye Tip es que hacer con un botón que esta por caerse y la importancia de tener un Barniz transparente a la Mano y para terminar la pelea con Jean Claude Van Dame.
Leye News - El Cruz Azul va en primero / Peleo con Jean Claude Van Damme
Por: Leye Nedve
2015-02-18 14:06:08
Visto: 814 veces.
Leye News - Oprime para seleccionar.

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Torneo clausura 2015 Chivas, NFL: nos vamos al Super Bowl, NE vs. Seattle, Licuando con Leondra, ¿A poco? Los taxis amarillos. Leye News es el nuevo noticiero favorito de quien quiere ver las noticias de la forma en la que Leye da las news. Te voy a dar noticias interesantes, seleccionadas con el ojo más simpático para dejarte con información útil y sacarte siempre una sonrisa. __________________________________________________________________ Leah Nedvedovich | Léyele -Comedy Dealer- Licenciada en comunicación y en las artes absurdas de la vida. Amante del sol y los colores, el picante y el Funk. Se cambia el color de pelo cada vez que puede. Adora entretener a la gente. En la comedia encuentra las risas como una forma de aceptación y para ella, eso, es la mejor terapia. Nació pareciendo un elote, ahí sacó su primera risa.
Leye News- Semana del 12 al 18 de enero
Por: Leye Nedve
2015-01-21 10:01:35
Visto: 796 veces.
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Crónica cómico-mágico-musical del segundo debate de los candidatos a la presidencia de México en las elecciones 2012. Radiopatías: Javier Lacroix Juan Miguel Portillo Fernando Quintana Debate, Dislate y Disparate Producción del videoclip: Telesistemas Antonio Godoy Radiopatías Edición: Carolina Orozco Juan Miguel Portillo Idea Original: Toñimex Letra: Toñimex Javier Lacroix Juan Miguel Portillo Fernando Quintana Música y Arreglos: Fernando Quintana Manager y Contrataciones: Ofelia de Anda radiopatias@radiopatias.com Twiter: @radiopatias Facebook: radiopatiashumor www.radiopatias.com
Debate, Dislate y Disparate
Por: radiopatias
2012-06-18 17:07:14
Visto: 2750 veces.
Elecciones2012,Debate,Dislate,Disparate,Humor,Elecciones,2012,México - Oprime para seleccionar.

Votos: 2
Rating: 10
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Un video muy simpático de un grupo de Norteño tocando por las calles de Tijuana.
Mazl Tov Tijuanense
Por: yosh1986
2012-02-06 12:54:46
Visto: 2399 veces.
Mazal Tov,Tijuana,México,Norteño - Oprime para seleccionar.

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Nuestos amigos de la serie Cuando toca la Campana de Disney Channel mandan saludos a todos en foroJudio.com
"Cuando toca la Campana" de Disney Channel saluda a foroJudio.com
Por: HispanoPolis.com
2011-09-07 14:26:31
Visto: 3254 veces.
Saludo,Disney Channel,Cuando toca la Campana - Oprime para seleccionar.

Votos: 1
Rating: 10
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Chicos de Disney Chanel mandan saludos a HispanoPolis.com
Chicos de Disney Chanel mandan saludos a HispanoPolis.com
Por: HispanoPolis.com
2011-09-07 14:26:31
Visto: 3095 veces.
Saludo,Disney Channel - Oprime para seleccionar.

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Los Twins de Peter Punk mandan saludo a HispanoPolis.com
Los Twins de Peter Punk mandan saludo a HispanoPolis.com
Por: HispanoPolis.com
2011-09-07 14:26:31
Visto: 3468 veces.
Saludo,Peter Punk,Disney Channel,Twins - Oprime para seleccionar.

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Saludos de Peter Punk de Disney Channel para HispanoPolis.com
Saludos de Peter Punk de Disney Channel para HispanoPolis.com
Por: HispanoPolis.com
2011-09-07 14:02:28
Visto: 3002 veces.
Saludo,Peter Punk,Disney Channel - Oprime para seleccionar.

Votos: 3
Rating: 9
Rating Promedio: 9
Durante los festejos de 100 años de vida del gran mimo mexicano, Cantinflas.
“Cantinflas y el policía”, interpretado por Carlos Espejel
Por: PeterPan
2011-08-15 17:17:27
Visto: 3346 veces.
cantinflas,Carlos Espejel,Imitación,Aniversario - Oprime para seleccionar.

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Errores, osos y frustaciones del fútbol israelí
Errores, osos y frustaciones del fútbol israelí
Por: Isaac
2010-08-12 13:18:21
Visto: 5620 veces.
Errores,Osos,Frustaciones,Fútbol,Humor - Oprime para seleccionar.

Votos: 2
Rating: 10
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Paramount Pictures’ new laugh-out-loud comedy “Dinner for Schmucks” is only the latest in a crop of recent films and novels to idealize not the schmuck, but the schlemiel. Directed by Jay Roach and executive produced by Sacha Baron Cohen — no stranger to the appeal of the schlemiel — “Dinner for Schmucks” is a remake of the French film “Le Diner de Cons” (“The Dinner Game”). It begins when an ambitious Tim (Paul Rudd) receives his first invitation to a monthly dinner held by his superiors for the purpose of “making fun” of the invited “idots.” The promotion he seeks might hinge on his “winning” the dinner. Tim’s girlfriend is appalled that Tim agrees to attend, and at first Tim says he won’t go, but then he literally runs over what seems like a winning “idiot,” Barry (Steve Carell), an IRS employee whose true vocation is his devotion to creating masterful dioramas of stuffed mice in various lifelike poses. Michael Cieply, quoting critic Debbie Schlussel in The New York Times, questioned whether “schmuck” was the right term for the film’s two main characters. By the end, we see, and Tim realizes, that the real schmucks are not the invited “idiots” but the men hosting the dinner, and that the “idiots” are more worthy than the schmucks. As Tim says, “All of you would throw me under a bus to get a bigger bonus, Barry would go under a bus to save a dead mouse.” The schlemiels at the dinner are the compassionate dreamers, committed to their dreams despite society’s laughter; they are noble fools, embodiments of authentic feeling in a Facebook-AIG age of social and financial simulacra. In “The Schlemiel as Modern Hero” (Chicago University Press, 1971), Ruth Wisse traced the schlemiel’s literary past, starting with the stories of Sholom Aleichem and then migrating to the works of Isaac Bashevis Singer, Saul Bellow, Bernard Malamud and Philip Roth. As Wisse explained, the schlemiel was born of real failure: failure as a man in a world of constrained possibilities for Jewish men. Yet, the literary schlemiel is not simply a loser, but a “loser-as-winner” — the hero of the story. We’re not supposed to just laugh at the schlemiel. He is a figure of satire that the author offers up as a palliative, a survival tactic to readers or viewers feeling similarly powerless. Malamud, Wisse wrote, presented the schlemiel “as the clearest alternative to the still-dominant religion of success.” Similarly, these latest incarnations of the schlemiel are reactions to the dying of our boom-era obsession with material success. We’ve seen that politicians and CEOs are inauthentic and full of pretense, so these new comedies usher in the schlemiel as a romantic anti-hero for today’s recessionary age. Unlike traditional role models obsessed with the material trappings of success, these Jewish men who have reached rock bottom (or who have never left that level) are nevertheless still open and vulnerable to love and suffering and joy; to a life not necessarily defined by typical standards of career and financial success. Think of the scene in the film “Greenberg” in which Roger Greenberg, played by Ben Stiller, busies himself by building a doghouse for his brother, or when he tells his friends at a party that he is trying to do “nothing,” which an old flame calls “brave, at our age.” These new works share the same aim as Bellow’s fiction, as described by literary critic Frank D. McConnell: to treat “the besetting disease of contemporary man: his conviction of inauthenticity — his sense that he has no real self, no real identity…” In an age in which we don’t know whom to trust, the schlemiel is refreshingly authentic. And it’s the schlemiel’s authenticity, his emotional vulnerability, his lack of pretension, that appeals to the opposite sex. Roger Greenberg’s love interest, Florence (Greta Gerwig), explains to her disbelieving friend that she likes that the title character seems “so vulnerable.” Steve Stern’s recent novel “The Frozen Rabbi” (Algonquin Books) is likewise chock-full of schlemiels and the women who find their guilelessness appealing: Lou Ella “fretted over Bernie’s vulnerability,” and yet it is what attracts her to him; young Jocheved surmises that her beloved Shmerl “was fearless in his devotion to his friend and apparently without an ounce of guile, which made him vulnerable in ways that would surely be a burden to any woman.” In “Schmucks,” the first scene between Tim and his girlfriend, Julie (Stephanie Szostak), has him overflowing with praise for her, gushing about how beautiful, smart and successful she is and how much he loves her. He proposes to her, for the second time, that day. Tim has the exuberance and emotional lack of restraint of a schlemiel. This is not how the traditionally more-restrained waspish romantic hero acts. A schlemiel is a failure as a man, according to the “Anglo-Saxon model of restraint in action, thought, and speech,” as Wisse put it. The schlemiel’s reveling in the muck of emotions is contrary to the prevailing ethos of gentile American culture: He is the embodiment of the overemotional, overly mothered Jewish man, the antithesis of the traditional masculine hero. Yet, honesty has its virtues: What you see is what you get. A schlemiel is not a philanderer. And he’s an optimist: Barry sees everything in a positive light. He’s constantly beaming. Indeed, the film opens with Beatles’ lyrics that make it clear the filmmakers had the elevation of the fool on their minds: “The fool on the hill, sees the sun going down, and the eyes in his head see the world spinning round… and nobody seems to like him, they can tell what he wants to do…He never listens to them, he knows that they’re the fools…” We hear these words as we see the amazing stuffed mice that Carell’s character has meticulously crafted into mice versions of himself and his ex-wife when they were still in love. This devotion to work is his passion: one antithetical to the buying of distressed companies by Fender Financial. The schlemiel insists on pursuing his dreams. Barry’s winning presentation at the dinner is a series — what he calls “The Tower of Dreamers” — of mice dioramas of famous men who dared to dream, ignoring the naysayers around them: the Wright Brothers, Evel Knievel, Van Gogh (“Everyone told him,” Barry says, “that he can’t paint — he only has one ear”), Ben Franklin, Louis Pasteur. Like these famous dreamers, Barry is an eternal optimist, an essential trait of the American Jewish schlemiel: The schlemiel refuses to give in to life’s futility, maintaining optimism while recognizing the pointlessness of it all. All schlemiels embody a paradox, as Wisse put it, “that the knowledge of life’s futility, reinforced by daily experiences, does not invalidate an urgent insistence on joy, irrational as such emphasis may be.” Like billionaire Purdy to the schlemiel protagonist Milo in Sam Lipsyte’s recent novel “The Ask,” or Elliot to schlemiel Seymour in Simon Rich’s “Elliot Allagash,” many of these schlemiels have a foil, a man with incredible wealth who seems to have the world at his fingertips. In “Schmucks,” Barry’s foil is the tall, blond Müeller (David Walliams), a man whose inherited half-billion fortune automatically deems him the conqueror. Until the last few frames, he even wears a ring imprinted with the family insignia: To the victor go the spoils. But maybe the wrong spoils. The schlemiel, it seems, wisely knows to value love over career and wealth, or perhaps he doesn’t have the choice: He doesn’t have wealth, and so he becomes a romantic. As Wisse wrote, he “continues to dream, or to fight for love, or to seek it.” At the end of “Schmucks,” having lost any chance of receiving that promotion, Tim, distraught at having seemingly lost Julie to an oversexed artist, declares to Barry, not knowing that Julie is listening, that he wanted that promotion only to impress her. “She’s the greatest thing in my life. God, I’m an idiot,” he says. It’s almost as if his calling himself an “idiot” unlocks the key to the girl’s heart: Julie overhears him and realizes that he truly loves her. Calling himself an idiot is a proxy for saying he’s a sincere, non-narcissistic man, that he loves her more than the office he coveted on the seventh floor. Alas, if it’s a choice between a schmuck and a schlemiel, which in film, if not in real life, seem to be the only alternatives, these filmmakers and writers are saying that the girl is better off choosing the schlemiel. In a tough, recessionary world, perhaps one’s better off with a romantic wearing rose-colored glasses than with a hard-nosed realist. Laura Hodes’s most recent piece for the Forward was a review of Joshua Braff’s novel “Peep Show.” She blogs at www.personalpolitic.blogspot.com. Source:Forward.com
“Dinner for Schmucks” Trailer
Por: Paramount Pictures
2010-08-10 11:24:15
Visto: 6885 veces.
Dinner for Schmucks,Trailer,Comedy,2010,Paul Rudd,Steve Carell - Oprime para seleccionar.

Votos: 2
Rating: 10
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